Overview

With every new instrument, I try to get closer to my ideal in regard to sound quality, beauty, and playability.
I want my guitars to have sonorous, floating basses, warm creamy middles, and lyrical, singing trebles. The beauty shall reflect the unnameable in unpretentious elegance. It is important to me that my guitars are easy to play (see Intonation and playability) and offer a vast range of modulation and sound colours, as well as power and a very good balance, so that the guitarist can focus attention on the music.

All parts are deliberately chosen in the minutest detail. Consequently, I offer only one model in which my aesthetic ideas and my concept of how the guitar functions form a harmonious unity.
Adjustments in the constructions are made though, to suit the inclination

of the future players, their personal playing technique and their hands and fingernails (see Options). They differ in the choice of woods and small changes in the construction.
In addition, I offer a guitar model especially developed for chamber music, 7-, 8-, and 10-string guitars, and correspondingly 7-course ouds.

I have always been looking for a full and saturated, yet sweet tone; a tone with substance, offering all possibilities to the musician without being obtrusive.
With every guitar, I strive to make an immaculate piece of art, which pleases both the eye and the ear.

For a short description of my guitar model click here.